Duration : 0:6:22

Array

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Rock it Out! Blog website

http://rockitoutblog.com

Flea starts own instrument line

http://rockitoutblog.com/2010/01/06/flea-creates-affordable-line-of-bass-guitars/

Jack White releasing new Dead Weather songs

http://rockitoutblog.com/2010/01/06/jack-white-lays-out-his-plan-for-2010/

Billy Corgan starts a record label

http://consequenceofsound.net/2010/01/07/billy-corgan-starts-a-record-label/

Ting Tings team up with Rhianna

http://www.spinner.com/2010/01/07/ting-tings-collaborating-with-rihanna/

Pete Wentz and Mark Hoppus team up

http://www2.kerrang.com/2010/01/fall_out_boy_and_blink_182_men.html

MAIL stuff for the all to
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Duration : 0:5:27

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http://master.mixer.hr/?p=1628

Johann Sebastian Bach – Bouree on 6-string Spector bass guitar, double hand tapping technique

http://www.myspace.com/bassgk

Duration : 0:1:32

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http://master.mixer.hr/?p=1628

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Tomaso Albinoni – Adagio in G minor on 5-string Spector bass guitar

Tomaso Giovanni Albinoni (June 8, 1671, Venice, Republic of Venice January 17, 1751, Venice, Republic of Venice) was a Venetian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, some of which is regularly recorded. The “Adagio in G minor” attributed to him is a 1958 composition entirely composed by Remo Giazotto, which Giazotto claimed to have based on fragments from a slow movement of an Albinoni trio sonata he had been sent by the Dresden State Library.[1]

Biography

Born to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian Pietro, Cardinal Ottoboni (grand-nephew of Pope Alexander VIII); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de’ Medici, Grand Duke of Tuscany.

In 1705, he was married; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni’s. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer at many cities in Italy, including Venice, Genoa, Bologna, Mantua, Udine, Piacenza, and Naples. During this time he was also composing instrumental music in abundance: prior to 1705, he mostly wrote trio sonatas and violin concertos, but between then and 1719 he wrote solo sonatas and concertos for oboe.

Unlike most composers of his time, he appears never to have sought a post at either a church or court of nobility, but then he was a man of independent means and had the option to compose music independently. In 1722, Maximilian II Emanuel, Elector of Bavaria, to whom Albinoni had dedicated a set of twelve concertos, invited him to direct two of his operas in Munich.

Around 1740, a collection of Albinoni’s violin sonatas was published in France as a posthumous work, and scholars long presumed that meant that Albinoni had died by that time. However it appears he lived on in Venice in obscurity; a record from the parish of San Barnaba indicates Tomaso Albinoni died in 1751, of diabetes.

[edit] Music and influence

He wrote some fifty operas, of which 28 were produced in Venice between 1723 and 1740, but today is most noted for his instrumental music, especially his oboe concertos.

His instrumental music greatly attracted the attention of Johann Sebastian Bach, who wrote at least two fugues on Albinoni’s themes and constantly used his basses for harmony exercises for his pupils.

Part of Albinoni’s work was lost in World War II with the destruction of the Dresden State Library, thus little is known of his life and music after the mid 1720s.

The Albinoni Adagio in G minor is a 1958 composition entirely composed by Remo Giazotto, which Giazotti claimed to have based on fragments from a slow movement of an Albinoni trio sonata he had been sent by the Dresden State Library.[1]

The Adagio in G Minor has been covered by The Doors with Jim Morrison adding the line “Rock is Dead”. It’s also played in the Oliver Stone film “The Doors” at the end as a camera pans through the head stones of Chopan and Wilde til it arrives at Morrisons grave in Pere L’achaise, Paris.

Duration : 0:1:30

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Expert: Steve Bauman
Contact: www.summerhaysmusic.com
Bio: Steve Bauman has been playing bass guitar for 15 years. He instructs on his own time as well as for Summerhays Music located in Murray, Utah.
Filmmaker: Michael Burton

Duration : 0:4:13

Technorati Tags: Bass, bass guitar, bass lessons

In this bass lesson video we teach a cool two handed tapping technique with a fun riff

Many more full on video lessons at the full on video instructional website at:
http://www.nextlevelguitar.com

Duration : 0:7:48

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In this video we have a beginner bass guitar lesson on the various thumb positions and different tones you can get.

Many more full on video lessons at the full on video instructional website at:
http://www.nextlevelguitar.com

Duration : 0:6:37

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Expert: Steve Bauman
Contact: www.summerhaysmusic.com
Bio: Steve Bauman has been playing bass guitar for 15 years. He instructs on his own time as well as for Summerhays Music located in Murray, Utah.
Filmmaker: Michael Burton

Duration : 0:4:3

Technorati Tags: Bass, bass guitar, bass lessons

Expert: Dalton Chamblee
Contact: www.fatbackcircus.com
Bio: Dalton Chamblee has been playing the bass guitar for over 10 years. He is a member of the band Fatback Circus.

Duration : 0:2:2

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More free guitar lessons – http://bit.ly/TrueFire

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Bass players lay down the foundation in practically every style of music by bridging the gap between the strict rhythm of percussion instruments and the melodic domain of lead instruments and vocals. Todays bassists must not only lock-in with the drummer to serve up the all-important groove but are now also called on to step up front and treat the audience to a searing and melodic solo from time to time. Good bass players are in high demand and can easily find gigs, making the instrument an attractive proposition for aspiring musicians. But once you decide to play bass, you still face the question of where to begin and thats what Bass Basics is all about.

Laying down the foundation for freshman bassists, Bass Basics follows an innovative and very effective contextual approach to accelerate the learning process. Youll play your way through the course, learning all of the fundamentals of the instrument from tuning up to nailing that first audition. Bass Basics walks you through each of the lessons in an easy, hands-on fashion without requiring you to struggle through tedious examples and exercises. Better yet, the material is presented from the point of view of a very accomplished musician, who worked his way up from novice to top pro and is willing to share information that hes gathered from decades of top-level stage and studio experience.

This musician is none other than Stu Hamm, bass player extraordinaire who first came to prominence after playing on Steve Vais Flex-Able disc. Going on to become the bassist of choice to lay down the low-end for virtuoso guitarists like Frank Gambale and Joe Satriani, Stu has continued to hone his already considerable chops, both on stage and in the studio. Fortunately, Stus teaching skills match his musicianship, giving you a rare opportunity to learn from one of the very best bassists on the planet.

Bass Basics starts at the very beginning, teaching you journeyman-level bass chores such as the proper way to change and tune strings. You will learn the instruments individual parts as well as what to look for when shopping for a new bass Stu even gives you a guided tour of his latest Fender® signature Urge Bass II! He shares tips on tone settings for both the bass and amplifier and how to use these controls to get the sound you want.

Stu demonstrates the essential left and right hand techniques developed to build strength and endurance. He teaches you the language of music to help make quick work communicating ideas at jams and auditions. Bass Basics equips you with a solid foundation of techniques, theory, rhythm patterns and bass lines, all of which can applied in any style of music. Stu even shows you how to read tab and follow a chart as well as teach you the essential theory required to take your playing in any direction you choose.

Never before has a bassist of this caliber shared such vast knowledge in such a comprehensible and accessible way. If youre serious about learning the bass and want to enjoy the journey, let Bass Basics be your guide. You won’t go astray!

Duration : 0:1:41

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