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Tomaso Albinoni – Adagio in G minor on 5-string Spector bass guitar

Tomaso Giovanni Albinoni (June 8, 1671, Venice, Republic of Venice January 17, 1751, Venice, Republic of Venice) was a Venetian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, some of which is regularly recorded. The “Adagio in G minor” attributed to him is a 1958 composition entirely composed by Remo Giazotto, which Giazotto claimed to have based on fragments from a slow movement of an Albinoni trio sonata he had been sent by the Dresden State Library.[1]

Biography

Born to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian Pietro, Cardinal Ottoboni (grand-nephew of Pope Alexander VIII); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de’ Medici, Grand Duke of Tuscany.

In 1705, he was married; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni’s. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer at many cities in Italy, including Venice, Genoa, Bologna, Mantua, Udine, Piacenza, and Naples. During this time he was also composing instrumental music in abundance: prior to 1705, he mostly wrote trio sonatas and violin concertos, but between then and 1719 he wrote solo sonatas and concertos for oboe.
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Unlike most composers of his time, he appears never to have sought a post at either a church or court of nobility, but then he was a man of independent means and had the option to compose music independently. In 1722, Maximilian II Emanuel, Elector of Bavaria, to whom Albinoni had dedicated a set of twelve concertos, invited him to direct two of his operas in Munich.

Around 1740, a collection of Albinoni’s violin sonatas was published in France as a posthumous work, and scholars long presumed that meant that Albinoni had died by that time. However it appears he lived on in Venice in obscurity; a record from the parish of San Barnaba indicates Tomaso Albinoni died in 1751, of diabetes.

[edit] Music and influence

He wrote some fifty operas, of which 28 were produced in Venice between 1723 and 1740, but today is most noted for his instrumental music, especially his oboe concertos.

His instrumental music greatly attracted the attention of Johann Sebastian Bach, who wrote at least two fugues on Albinoni’s themes and constantly used his basses for harmony exercises for his pupils.

Part of Albinoni’s work was lost in World War II with the destruction of the Dresden State Library, thus little is known of his life and music after the mid 1720s.

The Albinoni Adagio in G minor is a 1958 composition entirely composed by Remo Giazotto, which Giazotti claimed to have based on fragments from a slow movement of an Albinoni trio sonata he had been sent by the Dresden State Library.[1]

The Adagio in G Minor has been covered by The Doors with Jim Morrison adding the line “Rock is Dead”. It’s also played in the Oliver Stone film “The Doors” at the end as a camera pans through the head stones of Chopan and Wilde til it arrives at Morrisons grave in Pere L’achaise, Paris.

Duration : 0:1:30

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Duration : 0:3:45

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Duration : 0:4:59

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Duration : 0:0:36

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Duration : 0:3:56

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(Sorrells Pickard)

Oooh…one, two…

Mama, i guess you have stood and cursed
The day i found that old guitar.
When uncle harry died,
The one we found in the boot of his old car.
I remember how my little fingers blistered
When i tried to learn to play,
I bet you never dreamed that old guitar
Would put me where i am today.

Yes, it’s been a lot of years,
I guess it’s been an interesting life.
No, mam, i never found another woman
That i wanted for a wife.
I guess the first time showed us
That i wasn’t the domesticated kind,
But i don’t blame her for getting tired
Of living from a suitcase all the time.

Yes, i know sometimes it looks
Like i’ve just simply thrown my life away.
I just always figured that if i hung on,
I’d make it big some day.
I guess it takes a special breed
To live this life and think the way i do,
But you’ll be glad to hear that any more
I ain’t near as bad to drink.

How is tommy doing with the business
Now that daddy’s passed away?
I’m sure daddy always knew that tom
Would be the one to take his place.
And when he tried to lecture me,
I’d sit and pick and sing and let him nag,
But way down deep inside i think
He always knew that hardware ain’t my bag.

We open monday night in bolton city
For another two week stand,
I wish there was some way that you and tom
Could come and hear my band.
Wish i had the time to tell you ’bout the
Places that i’ve been, the things i saw.
And i’ll send the fifteen dollars soon
As i get to the club and make a draw.

When you’re hot, you’re hot there…
Ah, i mean, ah, when…what is…
When you’re hot, you’re hot, yeah, okay…
Mm-mm
Ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba!
All right.
Ho!

I’ve got my dog and he’s real mean!

Duration : 0:3:29

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Duration : 0:3:24

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**Please watch in High Quality if your connection is fast enough!**

You can download a high quality MP3 of this (or any of my other) performances here: http://www.ahrenb.com
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—————————————————–
Lyrics:

Well you done done me and you bet I felt it
I tried to be chill but you’re so hot that I melted
I fell right through the cracks, now I’m trying to get back

Before the cool done run out, I’ll be giving it my bestest
And nothing’s going to stop me but divine intervention
I reckon it’s again my turn to win some or learn some

But I won’t hesitate no more, no more
It cannot wait, I’m yours

Well open up your mind and see like me
Open up your plans and you’re free
Look into your heart and you’ll find love love love love

Listen to the music of the moment people, dance and sing
We’re just one big family
And it’s our God-forsaken right to be loved loved loved loved loved

So I won’t hesitate no more, no more
It cannot wait, I’m sure
There’s no need to complicate, our time is short
This is our fate, I’m yours

D-d-do do you, but do you, d-d-do
But do you want to come on
Scooch on over closer dear
And I will nibble your ear

I’ve been spending way too long checking my tongue in the mirror
And bending over backwards just to try to see it clearer
But my breath fogged up the glass
And so I drew a new face and I laughed

I guess what I be saying is there ain’t no better reason
To rid yourself of vanities and just go with the seasons
It’s what we aim to do, our name is our virtue

But I won’t hesitate no more, no more
It cannot wait, I’m yours

Come on and open up your mind and see like me
(I won’t hesitate)
Open up your plans and you’re free
(No more, no more)
Look into your heart and you’ll find that the sky is yours
(It cannot wait, I’m sure)

So please don’t, there’s no need
(There’s no need to complicate)
There’s no need to complicate
(Our time is short)
‘Cause our time is short
(This is our fate)
This is, this is, this is our fate
I’m yours

Oh, I’m yours
Oh, I’m yours
Oh, whoa, baby you believe I’m yours
You best believe, best believe I’m yours

Duration : 0:3:29

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Duration : 0:3:47

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Equipments for this video;
Fender Jazz Bass 1976 original condition,
with Pedals; Limiter, Overdrive and EQ
Also I use the original effect rack systems.

Duration : 0:2:49

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